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Sydney Ball

Infinex #29, 2012

SOLD

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Catalogue number: 60807

Acrylic on shaped canvas (irregular)

106.00 x 76.00

Signed, titled and dated on reverse

Provenance: The Artist
Note: These new Modulars are a continuum of the Infinex Series that again, take on the importance of Colour. They are flat to the surface, two-dimensional colour paintings, that carry the conviction of their shapes and should be looked at as pure painting, with a sensory immediacy and relevance; removing all artifice and without reference to illusion, drawing, collage, cubism and narrative. The series emphasise the colour, the process and the event. Everything in the construction is an interplay of shapes and colours; the clarification and articulation of the idea is achieved through the physical reality of material and can be defined as architectural geometry in space; their handling is never disguised. These Infinex paintings are multifarious, space defining Colour Structures, constructed without boundaries and are integral to Paintings historical genre of Colour Abstraction. Sydney Ball, Sydney, 2012 Greenberg, Clement. Towards a Newer Lacoon in the Collected Essays and Criticism, John OBrian (ed), University of Chicago Press, 1986; Shiff, Richard. Dreams of Abstraction, in Paths to Abstraction, Terence Maloon (ed), exh cat. AGNSW, p 56.

View artwork in Exhibition

Exhibition Catalogue

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Allan Mitelman

1974

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Peter Upward

1962

pva on composition board, 126.00 x 89.50

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Trevor Vickers

2007

acrylic on canvas, 35.50 x 46.00

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Lorri Whiting

1966

oil and collage on canvas, 80.00 x 140.00

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Harold Abbott

1970

Oil on board, 90.00 x 60.00

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Two Screens

Harold Abbott

1989

Oil on board, 61.00 x 50.00

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Sam Atyeo

c. 1975

Acrylic on canvas, 100.00 x 92.00

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Infinex #29

Sydney Ball

2012

Acrylic on shaped canvas (irregular), 106.00 x 76.00

SOLD

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Infinex #30

Sydney Ball

2012

Acrylic on shaped canvas (irregular), 89.00 x 131.00

SOLD

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Leonard Brown

2009

Oil on Belgian linen, 122.00 x 122.00

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Mike Brown

1982 - 1983

paper collage, plastic toys, plastic flower & acrylic on cotton duck, 164.00 x 122.00

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Two Bands

Jon Cattapan

2000

Oil on linen, 90.00 x 120.00

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Hairpiece

Sadie Chandler

1992

Hair and feathers on board, 32.00 x 38.00

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See, Hear, Know # 7

Liz Coats

2007

pigment and acrylic media on board (circular), 110.00 x 110.00

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Light Fantastic

Debra Dawes

2008

Oil on canvas, 168.00 x 107.00

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Parable

Lesley Dumbrell

1986

Oil on canvas, 106.00 x 106.00

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Lattice II

Chris Dyson

2005

Oil on canvas, 152.50 x 183.00

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Untitled

Roy Fluke

1956

Oil on board, 38.00 x 44.00

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40

Peter Haigh

Oil on canvas, 31.00 x 36.00

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Mask

Leonard Hessing

1963

mixed media on card, 62.00 x 51.00

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Empyrean No 1

Ann Judell

1989

Oil and wax on linen, 66.00 x 66.00

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Rocher Rose (Pink Rock)

Peter Kaiser

1955

Oil on hessian, 129.00 x 87.00

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Untitled No. 42

Roger Kemp

c. 1962 - 1964

Enamel on board, 104.00 x 81.00

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Suprematist Composition

Ivan Kliun

1919

Oil on board, 21.50 x 20.00

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Just like his uncle Fred

Colin Lanceley

c. 1962

tins, metal, pipes, glass, plastic and oil on plywood, 61.50 x 42.00

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Since its establishment in 1984, the Charles Nodrum Gallery’s exhibition program embraces a diversity of media and styles - from painting, sculpture & works on paper to graphics and photography; from figurative, geometric, gestural, surrealist & social comment to installation & conceptually based work.