The Artist
Click image to zoom
Samara Adamson-Pinczewski
Untoward, 2016
Catalogue number: 2
acrylic & iridescent acrylic on canvas
183.00 x 114.00
signed, titled and dated on reverse
Provenance:
Exhibited:
Samara Adamson-Pinczewski - Mixed Conditions, Charles Nodrum Gallery, 5 - 28 May, 2016, no. 6
Literature & references:
Charles Nodrum, Introduction, Samara Adamson-Pinczewski: Mixed Conditions, exhibition catalogue, 2016:
"Firstly, these paintings have a visual origin in our daily experience of urban architecture: what she describes as '...reflection and spatial warping... the experience of disorientation... the sense of push-pull... illusory spatial effects...' This is therefore not pure abstraction, rather it seeks to distil our day-to-day visual experience to its bare essentials. The resulting works are mobile n the sense that forms can advance and recede according to one's physical or psychological angle or viewpoint, with readings and interpretations appearing and vanishing with the passing of time. To this she combines a serious knowledge of the new generation of paints, currently still in development, which allow artists to achieve previously unattainable surface qualities. Sadly these subtleties - fluorescent and pearlescent in particular - do not reproduce either online or in print, so the paintings must be seen in the flesh to be fully appreciated."
Exhibition Catalogue
Untoward
Samara Adamson-Pinczewski
2016
acrylic & iridescent acrylic on canvas, 183.00 x 114.00
Haus Wittgenstein, Kundmanngasse 19 #5
Richard Dunn
2016 - 2017
acrylic on canvas, 215.00 x 190.00
File_42alt2
David Harley
2016
pigmented inkjet print on ilford ragpaper mounted on composite board; Edition of 3, 72.50 x 120.00
Rocking Horse
Mike Brown
c. 1970
mixed media - acrylic and horse hair on polystyrene, 50.00 x 69.00
Bare Bones
Paul Selwood
2003
hot zinc sprayed steel, with automotive paint and tinted wax, 104.00 x 28.00 x 20.00
(Still Life with Fruit)
Godfrey Miller
1942 - 1948
pencil and oil on canvas, 48.00 x 56.50
SOLD
Since its establishment in 1984, the Charles Nodrum Gallery’s exhibition program embraces a diversity of media and styles - from painting, sculpture & works on paper to graphics and photography; from figurative, geometric, gestural, surrealist & social comment to installation & conceptually based work.